Bach Bibliography
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Author : Fabian, Dorottya
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Fabian, DorottyaThe Changing Style of Performing J. S. Bach's Music 1950-1975. [p]BCB_Birmingham Jul 1996
2. Fabian, DorottyaJ. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. diss. 1998
3. Fabian, DorottyaBach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment. [p]BCB_Exeter Jul 1998
4. Fabian, DorottyaBach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature. 2003 xiv, 314p
5. Fabian, Dorottya; Schubert, EmeryExpressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations. MScientiae Special Issue 2003 49-71
6. Fabian, Dorottya; Schubert, EmeryPerformed and perceived dotting are different: Implications for performance practice and pedagogy. [cr]CIM04_Graz 2004 74-75
7. Fabian, DorottyaBach performance practice in the twentieth century: recordings, reviews and reception. IrishMStud 8 2004 179-189
8. Fabian, DorottyaAdalékok J.S. Bach szóló hegedűszonátáinak és -partitáinak előadástörténetéhez. MagyarZene 42 3-4 Oct 2004 311-335
9. Fabian, Dorottya; Schubert, EmeryAn experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt 2005 70-84
10. Fabian, DorottyaBach performance practice in the twentieth century: recordings, reviews and reception. BachNachwelt 4 2005 157-167
11. Fabian, DorottyaTowards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations. [fs]Somfai70 2005 87-108
12. Fabian, DorottyaThe Merits of Archival Research in Music: Reviews of The English Bach Awakening and Musical Entries at Stationers' Hall 1710-1818. McolAustralia 28 2005-06 127-130
13. Fabian, DorottyaIs diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings. Context 31 2006 165-180
14. Fabian, DorottyaThe Recordings of Joachim, Ysa˙e and Sarasate in light of their Reception by Nineteenth-Century British Critics. IReviewAesthSociolM 37 2 Dec 2006 189-211
15. Schubert, Emery; Fabian, DorottyaThe dimensions of baroque music performance: a semantic differential study. PsycholM 34 4 2006 537-587
16. Fabian, Dorottya; Schubert, EmeryMusical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988). MScientiae 12 2 Fall-Winter 2008 177-206
17. Fabian, Dorottya; Ornoy, EitanIdentity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. PerformPractReview 14 1 2009 1-40
18. Bangert, Daniel; Fabian, Dorottya; Schubert, EmeryDoing without thinking? Aspects of musical decision-making revisited. [cr]Vienna2013 2013 201
19. Fabian, DorottyaOrnamentation in recent recordings of J.S. Bach's solo sonatas and partitas for violin. MinAd 11 2 2013 1-21
20. Fabian, DorottyaCommercial Sound Recordings and Trends in Expressive Music Performance: Why Should Experimental Researchers Pay Attention? [ce]ExpressivenessMPerform 2014 58-79
21. Schubert, Emery; Fabian, DorottyaA Taxonomy of Listeners' Judgements of Expressiveness in Music Performance. [ce]ExpressivenessMPerform 2014 283-303
22. Fabian, Dorottya; Timmers, Renee; Schubert, Emery (eds.)Expressiveness in music performance: Empirical approaches across styles and cultures. [ce]ExpressivenessMPerform 2014 416p
23. Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, DanielPerforming solo Bach: a case study of musical decision-making. MScientiae 18 1 Mar 2014 35-52
24. Fabian, DorottyaA musicology of performance: theory and method based on Bach's solos for violin. 2015 ii, 339p

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